Strings and thingsĪCG is the simpler of the two guitar processors, with its two modes (ACG1 and ACG2) offering a slightly different underlying sound. The latter is a one-way ticket to fast attack/slow release dynamics, and you simply wind it up until you reach the desired amount. The former seems to combine both EQ and compression with plus/minus settings. This time, direct EQing control is limited to a Treble knob, with the emphasis being more on frequency-specific dynamics via the Thump and Snap controls. The seven presets (BD, SNR TOP, SNR BOT, HH, TOMS, OH and ROOM) all rely on different combinations of the same parameter set. Most welcome, however, is the input dynamics section, with the input lamp moving from green through amber to red, indicating the amount of compression.ĭRM offers a one-stop shop for all drum kit elements. We found this particular treatment more swirly than buzzy, though, so don't expect it to dirty up a sound. In practice, this makes the B72 a winner for a multitude of low-end treatments. Both of these include bass and treble controls, but Synth mode activates the additional 'buzz' effect. However, it operates in two distinct modes: DI and Synth. So, starting with the B72 unit for bass, things look pretty simple. This disguises, to some degree, precisely what's going on (annoyingly at times), but encourages you to use your ears (which is generally a good thing).Īlso worth noting is that, because some of the plug-ins include stereo effects, they only operate in stereo or mono-to-stereo formats. Across all plug-ins, there's no mention of parameter specifics (frequencies and so on), and they're often presented simply as more/less controls. One control that's common to all units (except HMX in Bounce mode) is Input Sensitivity, which controls the input level and drives the internal dynamics processing, including compression and expansion.Īlso common to all is Output level and the rev counter-style level meter.
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